Produced by Bristol sound co-founder Geoff Barrow, this scabrous if slight first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (the actor) first robs an unconscious dealer, then in another flashback tries to burgle his own parents. In no time, he's upside down in the wreckage of his car in a forest – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Declining to free David, with no time for townies, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Grimly Amusing Confrontation
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to free himself from his safety harness, while awkwardly transitioning into flashbacks of his normal activities. The central theme – that the rave-era youth were mainly focused on themselves – is firmly made. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Woodsman arrives, fuming after David strangles his dog. Still, a darkly funny standoff unfolds – David desperate to escape; the Poacher denying his container of cider, determined to soaking him instead in resentful talk. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
There is only one key story turn, but it leads to a hilariously staged rampage on the forest trails that dips close to rural terror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the early stages, he now goes all out with the full psychedelic grand display, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.
Game releases in British and Irish cinemas from 17 November.
